everybodydigs# is a series of posts about Jazz, Funk, Soul & R’n’b albums released from the 20s to the 90s, you can read a brief description/review and listen to a small preview (when it’s possible). everybodydigs# is like when someone tells you “hey you should listen to this album!” and nothing less, enjoy!
The title was heralding the newest technolgy, high fidelity, a sonic wonder that preceeded stereo, and Miss Vaughn was an early subject of this technoligical breakthrough. Recorded for Columbia spanning the years 1949 to 1952, this is a wonderful recording of Miss Vaughn’s. She recorded eight selections in 1950 with an octet that included trumpeter Miles Davis, trombonist Benny Green, the remarkably cool clarinetist Tony Scott and tenorman Budd Johnson. This CD adds alternate takes to seven of the numbers, increasing the discography of both Sassy and Miles. This version of “Ain’t Misbehavin’” is a true classic (with memorable eight-bar solos by each of the four horns); “Mean to Me” and “Nice Work If You Can Get It” are gems, and the other performances are not far behind. In addition, Vaughan sings two versions of “The Nearness of You” in 1949; there is also a previously unknown recording of “It’s All In the Mind,” and three orchestra numbers from 1951 and 1953 wrap up the outstanding reissue. Sassy has rarely sounded better. Highly recommended. (allmusic)
Rappamelo’s favorite track: