everybodydigs# is a series of posts about Jazz, Funk, Soul & R’n’b albums released from the 20s to the 90s, you can read a brief description/review and listen to a small preview (when it’s possible). everybodydigs# is like when someone tells you “hey you should listen to this album!” and nothing less, enjoy!

This release is something of a departure for the bold trumpet stylist. After the Latin-tinged dance-floor jams of THE SIDEWINDER (released about six months prior to this disc), Morgan turns somewhat reflective. The music is quieter, with a good deal of structural space and restrained, almost expressionistic playing. The title track opens the album and evokes a mood of poignancy and careful balance, like a Japanese painting. Even the more up-tempo numbers like “The Joker” and “Mr. Kenyatta” are relaxed and thoughtful, the richly textured passages unfolding in a way that seems both organic and tightly disciplined.

Morgan’s playing maintains its articulate brightness, but his notes and phrases are carefully shaded. This is matched by Wayne Shorter’s sax work (also simultaneously edgy and lyrical), Grant Green’s glowing guitar and Herbie Hancock’s atmospheric contributions. Lee should also be recognized as a significant composer, since all the tracks here, with their floating themes and protean solo sections, are from his pen. Search For The New Land live up to its title, finding a high ground of intelligent, evocative work and outstanding playing.

Personnel: Lee Morgan (trumpet); Wayne Shorter (tenor saxophone); Herbie Hancock (piano); Grant Green (guitar); Reginald Workman (bass); Billy Higgins (drums).

Rappamelo’s favorie track: