everybodydigs#120 Ella Fitzgerald & Louis Armstrong – Porgy & Bess

null

everybodydigs# is a series of posts about Jazz, Funk, Soul & R’n’b albums released from the 20s to the 90s, you can read a brief description/review and listen to a small preview (when it’s possible). everybodydigs# is like when someone tells you “hey you should listen to this album!” and nothing less, enjoy!

There have been many recordings of the music from the Gershwin opera Porgy and Bess, but this is one of the more rewarding ones. Louis Armstrong and Ella Fitzgerald sing all of the parts, performing 16 of the play’s best melodies. Unfortunately, there is not much Armstrong trumpet to be heard, but the vocals are excellent and occasionally wonderful, making up for the unimaginative Russ Garcia arrangements assigned to the backup orchestra.

Rappamelo’s favorite track:

everybodydigs#119 Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery

null

everybodydigs# is a series of posts about Jazz, Funk, Soul & R’n’b albums released from the 20s to the 90s, you can read a brief description/review and listen to a small preview (when it’s possible). everybodydigs# is like when someone tells you “hey you should listen to this album!” and nothing less, enjoy!

The incredible Wes Montgomery of 1960 was more discernible and distinctive than the guitarist who would emerge a few years later as a pop stylist and precursor to George Benson in the ’70s. On this landmark recording, Montgomery veered away from his home Indianapolis-based organ combo with Melvin Rhyne, the California-based Montgomery Brothers band, and other studio sidemen he had been placed with briefly. Off to New York City and a date with Tommy Flanagan’s trio, Montgomery seems in his post- to hard bop element, swinging fluently with purpose, drive, and vigor not heard in an electric guitarist since bop progenitor Charlie Christian. Setting him apart from the rest, this recording established Montgomery as the most formidable modern guitarist of the era, and eventually its most influential. Montgomery is clearly talented beyond convention, consistently brilliant, and indeed incredible in the company of his sidemen, and this recording — an essential addition to every jazz guitarist fan’s collection — put him on the map. (allmusic)

Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Percy Heath (bass); Albert Heath (drums).

Rappamelo’s favorite track:

sampleecious#23

null

sampleecious#: a post every Friday where i choose just one great track sampled for one or more other great tracks, also you can listen to (when it’s possible) a small preview on the video below, enjoy!

#23: “How High The Moon” by Ella Fitzgerald from “How High The Moon” released in 1960 > sampled in > “O Heaven” by Blu & Exile from “Give Me My Flowers While I Can Still Smell Them” released in 2012.

null